第15集
婚礼策划(🍼)(huá )师露西(xī )回(🏧)国策划(🗄)(huá )一场英(💉)国王(wáng )室的(🏢)婚(hūn )礼,而(💴)(ér )发生的一(yī(🕣) )连串的(🛰)趣事(shì ),从(🏄)而(ér )收获了属于自己(📗)的爱(ài )情。
A group of kids travel to an abandoned island for a party only to discover that they are being stalked and hunted down by a dangerous predator.
红(hó(🐫)ng )姑被老(🍝)(lǎo )大派去(💌)阻(zǔ )止一桩海洲(zhōu )盐(🐳)运判(pàn )尤拔世(💊)与盐枭(👥)万有户之(🦔)间的(de )秘密交(jiāo )易,红姑(🚲)(gū )提前在(🥂)交易(🛬)(yì )地点(🎦)的(de )茶楼设(🔇)下埋伏(🕒)。两人交易时(shí(🐬) ),红姑(gū )正(💖)听到关(guān )键(💘)的地方,不(🙊)知从(cóng )何处突(💲)然飞来(🗯)一个馒头(🏏),惊(jīng )动了盐(🆖)(yán )枭万有(💕)户(hù ),红姑也因(🎣)(yīn )此而(🍽)暴(bào )露,一(😋)(yī )番打斗不(bú )可避免(🧕)。
特(tè )工尼科(kē(🏈) )洛·华(📵)莱士(Troy N. Ashford 饰(📃))是(shì )一位为(wéi )政府(🍁)工(gōng )作的刺客(🧚)(kè ),专门(🤪)刺杀(shā )人(🏒)尽皆(jiē )知,臭名昭著的(🆘)恐怖分子(🎯)。本已(🎆)打(dǎ )算(♑)金盆吸(xī(🎴) )收的尼(➡)科洛(luò )在压力(🚢)(lì )下决定(🐿)执行最后一(📻)次,也是(shì(🎮) )最致命(mìng )的一次刺(cì(✈) )杀行动,杀(😠)(shā )死残害(hà(🐱)i )他的家乡(🎭)格鲁吉(jí )亚的(🖨)疯子。当(❎)两个(gè )联(🛌)邦卧底被杀后,华(huá )莱(🔌)士的(de )师傅,李大(🙈)师(弗(⏹)雷德·威(🌊)(wēi )廉森 Fred Williamson 饰(shì ))和他的(🎡)孪生兄弟尼希(🌺)米(Troy N. Ashford 饰(🎨))也(yě )卷(🕜)入了纷(fēn )争。尼科洛(luò(✅) )身边的(de )人都卷(🏏)入了这(🏺)场致命游(Ⓜ)戏,这也将(jiāng )揭露他可(🚡)(kě )怕的过(🥄)去......
Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.
本(běn )片主(🙉)要(yào )讲述(➕)了机电专业的大学生(🕢)陈(chén )峰的(🍺)笨(bèn )拙懦弱(🥉),是学校的(✡)最(zuì )不受欢(huā(🎮)n )迎学生(🌜),在一场(chǎ(🌪)ng )意外下,和(hé )同样不(bú(🔥) )受欢迎的女生(🐏)梁欢欢(🛰)(huān )成了好(⏬)(hǎo )朋友。
经过一系(xì )列(🚴)莫名其妙(miào )的(🙏)事件(jià(✏)n )之后,艾德(🔴)琳·格雷(Adeline Gray)认(rèn )为(🦏)一个(gè )闹鬼的(🕺)娃(wá )娃(📀)拥有复仇(🤽)(chóu )女巫的(de )灵魂。为了有(🗺)希望与失(🔺)踪的(🥢)(de )女儿团(🛬)(tuán )聚,她知(💡)(zhī )道她必须击(jī )败魔(🦑)女(nǚ )娃娃(😈)的邪恶诅咒(🐐)。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.