索尼(⛩)动画一直希(🏨)望为《冲浪企(📝)鹅》拍摄续集，最近他们终于宣(🛷)布《冲浪企鹅(🚲)2》（Surf’s Up 2: WaveMania）将在(😑)(zài )明(🍓)年春季(🏻)推出(🎳)，续集将邀请(😏)多位美国WWE职(🤩)业摔跤的明(🙋)星选手加盟(🔐)配音。

Vincent Pepe who wanted to be a powerful leader of a righteous gang that ruled the city, like his seniors. And then there's the rival clan with the malicious gangsters of Angamaly a locale on which the film is based.

90后单身(🌟)多金男宋(sò(🥠)ng )子明有一(yī(🔠) )身非凡的武功，却是一枚现实(🍏)生活中如假(🤮)包换(🔔)的娘炮(⛱)。为和(🌂)朋友们打赌(🐞)，宋子明隐瞒(🧓)(mán )自己多金(〽)(jīn )且会武功(🎍)的秘密，应聘(🌗)到健身馆追(✔)求心仪女教(✨)练黄飞并有幸成为其特别助(🌚)理。宋子明(mí(🚛)ng )和伙伴小(xiǎ(🚮)o )胖接(🚍)受黄飞(🍏)和同(🙍)事陈艳几近(😘)残酷的训练(🆎)，糗事不断，笑(🕦)料连连……(💲)为黄飞受伤(🖖)住院，与小伙(🗜)伴(bàn )们一起(🐎)解救被拐儿童，打败黑龙平息(🗝)健身馆老板(🖕)方成(🅾)的江湖(🧘)恩怨(🚦)，宋子明勇敢(🐫)机智的(de )表现(〽)赢得(dé )了黄(🗜)飞的好感。青(🗳)春激荡，活力(👵)四射，宋子明(🎻)收获了爱情(🚃)，与小伙伴们一起实现了创(chuà(🎨)ng )业梦想，功夫(📗)娘炮最终一(🤲)炮打(⭕)响。

On the highways of Mississippi, a psychotic priest and his brother are on a crusade to absolve sinners with their own brand of murder.

林可(🎗)馨，杂(⛱)志社白领，正(⛲)打算从繁忙(🍛)工作中回归(🤤)家庭生活之(🚿)(zhī )时，却遭(zā(🖐)o )遇婚姻与事(🌮)业双重麻烦(📊)，丈夫与其他女性的暧昧、上(🍽)司的自由观(🎶)灌输(🍛)、暖男(💈)作家(🍃)秦皓(hào )的闯(🏓)入，稳定的生(❇)活受到各种(🎐)抉择，经历各(🎎)种打击之后(🎩)，柔弱的林可(🗝)馨选择了勇(🌯)敢面对。

Three burglars will soon realise they are not alone in a manor house when they discover a doll mysteriously appearing.

建筑(zhù )工程师迈(mài )克(♋)尔打算带着(🖼)十四年都未(💸)曾联(📚)系的儿(🍉)子路(🔒)易斯去挪威(🗃)参加父亲的(🚦)葬礼。二人因(🌽)此有了(le )一段(🦀)从未(wèi )有过(⚓)的独处时光(🎳)，迈克尔也想(🐒)借此机会弥补自己作为父亲(🍺)缺席的十四(🔢)年。然(🍻)而，无论(😞)(lùn )迈(⛎)克尔怎(zěn )样(🌟)试图和儿子(🦐)沟通都无法(🧣)得到积极的(👈)回应，二人之(⛓)间仿佛有着(📲)一堵无法逾(🦆)越的心墙。尽管这一(yī )路上遇到的种种麻(🔕)烦让路易斯(🚁)一直(🛡)埋怨父(🛹)亲的(🚰)粗心大意，迈(🐏)克尔依然希(🍧)望能够推翻(🥓)彼(bǐ )此间的(🥥)隔(gé )阂。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.